Is there any point live-tweeting an event any more?

thisisnotaninsight_tumblr_comAs Social Media Week kicked off on Monday in London, amid all the online noise the This Is Not An Insight tumblr stood out like a shining beacon of common sense.

While keen tweeters dispensed ‘aphorisms’ left, right and centre, This Is Not An Insight cut them down to size mercilessly, neatly highlighting why live-tweeting from an event is nowhere near as useful and necessary as we all thought.

Utterly moronic

Over the past few years, providing a steady stream of tweets from an event you’re attending has become de rigueur. We’ve all done it – you rock up to a venue, cue up the provided Wifi password and hashtag, and then listen carefully for words of wisdom to broadcast to your Twitter stream.

Unfortunately, unless you’re actually good and practised at this, what you tweet can very easily sound utterly moronic.

Now amplify the nonsensical noise by about 3000 – as has happened at Social Media Week – and all you get is a steady stream of ‘blah-blah-blah’, making it nigh impossible to pick out anything of any note or consequence.

You can, of course, mute an event as Adam Tinworth has done, but that doesn’t really get to the nub of the problem.

To my post’s original question, I would say ‘yes’, there’s always merit in live-tweeting an event, if you can guarantee you can actually do it well and it’s not so huge that what you say (whether as an individual or a brand) doesn’t get drowned out.

There are, of course, certain rules to ensure that what you tweet isn’t dismissed as needless crap – rules I shall try to list now (additional suggestions welcome).

Rule 1: Stop before you tweet

Many people are in such a hurry to broadcast something a speaker has just said that they don’t even think about what it means, and if it’s actually even insightful.

Write your tweet and then look at it carefully before you hit post to see if it makes any sense to your colleague in the office 2 miles away. Keep the phrase ‘no shit, Sherlock’ at the forefront of your mind.

Rule 2: Attribution

If a speaker says something you think is worthy of broadcast, quote them and use their name. In isolation a random sentence makes no sense if you don’t know what the event is or who’s speaking.

Better still – use their Twitter handle, so if they really are talking in gold nuggets, others can follow them.

Rule 3: Provide context

This is a follow-up to rule 2 – adding short commentary to a quote makes it far more valuable and more likely to be RTd, than just tweeting what has already been said.

Rule 4: Remember that Twitter is a conversation

Most people have forgotten what Twitter’s tagline is (Join the conversation), but never is it more apt than when it comes to live-tweeting.

To put that into context, the tagline is not ‘Talk to yourself’. Try to tweet things that might encourage people to interact with you or want to share.

Rule 5: Statistics work better than quotes

What sounds good in the moment – as has been pointed out earlier – doesn’t usually make for a good tweet. However, numbers/facts are normally more concrete and much more shareable.

Use your common sense, though: Someone tweeted this on Monday: ‘33% of brands have created a content publishing hub, to deliver consumers rich content’. To which the rejoinder has to be – ‘Is that any good or not?’

Rule 6: If in doubt, don’t bother

What this entire post is trying to say is that, usually, you’re better off using your tablet/smartphone to take valuable notes that you can share with your team in the office later, rather than tweeting banalities.

What have I missed? Let me know, please. This might even become a dispensable guide…

Why we all secretly prefer an untidy end to a story

The Returned - Les RevenantsLast night, the first series of acclaimed French drama The Returned finished its run on C4.

The anticipation had been building for weeks, as question after question was raised about why dead people had come back to the Alpine town?

Unsurprisingly, to me at any rate, the finale provided some answers, but ultimately raised many more questions.

As a result, Twitter was awash with people frustrated with all the loose ends and gutted that they have to wait ‘until next year’ to see the 2nd series.

Neat and tidy?

But, seriously, what were they expecting? And those who clamoured for a nice, neat, straightforward ending are surely kidding themselves.

Denouments of stories that come tidily wrapped with all the edges perfectly folded and a big bow are few and far between nowadays, and dramatic storytelling is all the better for it, as far as I’m concerned.

As much as we all love a ‘Hollywood ending’, most of us (bar the diehard romantics) appreciate that life isn’t cut and dried and things don’t always resolve themselves perfectly, so why should our fictional entertainment be any different?

After all, very few people would claim that their enjoyment of a show or film is completely spoiled by an ending that leaves a few plotpoints unanswered. In fact, it’s these very frayed bits that can often cement a drama’s reputation.

The Usual Suspects

Remember the end of The Usual Suspects? The payoff at the end as Kevin Spacey walks down the street, gradually losing his limp and the flashes to the noticeboard are one of modern cinema’s great jawdropping finales.

However, there was just as much chat and analysis devoted to proving if Verbal could really have been Keyser Soze, based on what many viewers saw as major plotholes and inconsistencies.

Now, we’re sure that writer Christopher McQuarrie could happily explain them away, if he so chose, but the beauty of the way the film finishes is that you’re left with unanswered questions, thus letting the film sit in your consciousness for longer.

Don’t fight it

In fact, the worst thing you can do is to expect a modern story to finish neatly. That’s not the way film and TV works any more.

Look at Lost. It lasted 6 seasons and became ever more labyrinthine as the show progressed. As one question was answered, it merely raised 3 more.

Unfortunately, creators JJ Abrams and Damon Lindelhof claimed that they always had a resolution in mind for the show, but when the end credits rolled for the final time in May 2010, there were howls of anguish around the globe from those fans who had stuck with it for the past 6 years.

Part of the issue was the rather simplistic answer to the main question, but what frustrated most diehard fans was that there were lots of plot points that were never clarified. Duhh!

Let your perfectionism go

I suspect that people who moan about plotholes or loose ends are the ones who are life’s perfectionists. The ones who have to dot the ‘t’s and cross the ‘i’s [sic].

Well, my message to those is to relax and enjoy what you’re watching. The world isn’t perfect and deep down you know this, so allow yourself the pleasure of immersing yourself in something that has flaws. Go on, admit, you like it really.

The Guardian’s new ‘follow’ the writer functionality

Follow a Guardian writerI might be way behind the times, but today I spotted an interesting new piece of Beta functionality on the Guardian website.

You are now able to ‘follow’ a writer, and notification of their latest articles will be emailed to you as soon as they go live.

I’m sure there must be others, but the only writer I could find this against initially was Hadley Freeman.

In an age of seemingly instantaneous updates on Twitter, there’s something deliciously ‘retro’ about receiving an email telling you about a new live article. I’ll be intrigued to see if this is a flash in that pan, or part of a new, successful way of driving increased page views.